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In And until rel­a­tive­ly recent­ly Scot­tish opin­ion-for­m­ers in news and media were [most­ly] based in Eng­land and not plugged into work­ing-class or rur­al Scot­land at all, so didn’t see Scots lan­guage as a con­tem­po­rary issue in Scot­land,” he con­tin­ues.

Michael Demp­ster tweets exclu­sive­ly in Scots and sees the self-pub­lish­ing nature of Twit­ter as key to widen­ing its usage and increas­ing its accessibility.The result is a dis­con­nect between spo­ken and writ­ten lan­guage, and a dimin­ished record of writ­ten Scots as it is spo­ken infor­mal­ly, rather than in lit­er­a­ture or poet­ry.For many young Scots, social media might be a new and unique oppor­tu­ni­ty to write in the same way as they speak.Plus, the over­all brief, con­ver­sa­tion­al tone just adds more empha­sis.It’s as if you’re just talk­ing loads of shite with your pals.” As with oth­er social media, the role Twit­ter can play in con­struct­ing and com­mu­ni­cat­ing iden­ti­ty might also be cen­tral to Scot­tish Twit­ter, par­tic­u­lar­ly for a coun­try with a strong sense of col­lec­tive cul­ture but a com­plex and some­what unique posi­tion as a nation with­in a nation – and one still grap­pling with exis­ten­tial ques­tions about its own place and identity.

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